克罗埃西亚艺术奇才 捻盐成画

【新唐人2016年6月22日讯】（记者初霁综合报导）克罗埃西亚籍艺术家迪诺•托米奇(Dino Tomic)平常通过铅笔和纸等传统的美术工具进行艺术创作，然而他最近创作的人物画像和印度曼陀罗图案作品，展现了艺术创新的魅力之处——这些出神入化的作品，是通过在巨大的黑色背景上撒盐创作而成的。

Horse made with SALT Im continuing my salt experimentation – and it really seems that you can do anything with salt – with some practice ( and many many years with art experience/ knowledge in the background hehe ) Lately i have been doing these gigantic salt mandalas on public places – was good to work alone in peace and quiet on a smaller scale again =) Like always i have filmed the whole process and will edit the video soon =) I know im writing always so much on most of my posts and i know not everyone is reading it ( those are the people who normally ask a question – wile the detailed answer is already provided in the description ) so lets see how many of you are reading what i write! Just for fun , write in the comment section your favorite vegetable haha ( that should really confuse all the non description readers ) XD

A photo posted by Dino Tomic (@dinotomic) on May 23, 2016 at 7:23am PDT

这位有着挪威血统、以美术老师和纹身师为职业的“盐画”奇才，将一块巨大的黑色帆布铺开，而后将盐粒从塑料瓶或纸圆椎中以细腻的手法和力度挤出，来完成他令人叹为观止的大师之作。托米奇近期开始的这项以食盐为媒介的创作，只作为一种放松和消遣。

Inverted Salt heart The picture you see here is the “normal“ not inverted version of an heart done entirely with regular kitchen salt on a black carpet if you look at my profile and see the second post you can see the inverted version . The reverse colors effect shows what the original picture really is =) If you dont believe me find an app/ program and invert the image yourself and see what happens =) The main idea of this project will be visible in the video , once i finish editing it =) For the people complaining that i waste salt : for all the projects i have done until now i have used about 20 kg of salt ( and yes i reuse it as much as i can ) while we here in Norway use 238.000 tons of salt per year to defrost the roads ( i know its not the same fine processed salt i use / but salt nonetheless ) – im trying to say there is no shortage of salt in the world , and im not trying to wasting it – so try not the be a hater =)

A photo posted by Dino Tomic (@dinotomic) on Jun 12, 2016 at 7:54am PDT

这位年轻的艺术家告诉记者说：“在以往作画过程中，我的手腕受了伤，我需要休息……从三个星期前我开始用盐作画，衹是为了放松手腕，这样我只需要用到肩膀的力量。”看着他的作品中刻画入微的细节，大家可能会以为，他毕生的心血都倾注在了这些盐画上；但托米奇表示，用盐作画和喷枪作画有着异曲同工之处，对他来说，用食盐作画并不是一种难以融入的创作形式。

用盐创作一幅美轮美奂的画作并非一件简单的事。据说，他最近为画一幅印度曼陀罗作品，花费了25个小时才得以完成。了解到这些美丽“盐画”背后所要付出的巨大精力后，再看到它们在短短几秒内便被托米奇毁于一旦时，更使人倍感惋惜。

Large Salt mandala 25 hours of work Different angle than i previously posted and as promised here is the school assignment im doing : Through my research of mandala design, I noticed that symmetry was the one thing that absolutely every mandala I came across had in common. The smaller salt projects I did prior to this project were also symmetrical. They were done without much research, and were created intuitively.. Even though it came naturally to work with symmetry on the smaller projects, I did the necessary research and planning for this large project so that it the composition would stays balanced on this grand scale. In a design like this symmetry is incredibly important. Humans have such a strong preference for symmetrical designs that symmetry might be a signal of something positive and good. Good things are often represented through symmetry while asymmetrical things represent chaos / bad things Creating symmetry is not simple task; calculation and precision is a must. Calculating how many patterns it would take to make a whole and how many lines would be just enough so that the design looks stable is not as easy as it sounds. The trick I used was to focus mainly on primary/key elements and try to make them look as precise as possible (the first tier group). Those were the main shapes/ biggest circles and longest lines in the design. While the secondary elements are not as important (second tier ), these are the fill elements: like smaller decorative images, simpler shadows and overall aesthetic shapes and patterns. Exploration study is used to give us understanding and insight on an unclear problem I have been exploring new and fascinating ways of using salt as a medium. You can almost say that this medium is unforgiving, because if you make a mistake it is a lot of work to fix or recover from it. There are countless things that can go wrong. Like a small gust of wind or just someone tripping over the project and ruining it. – the whole paper is 3500 words – instagrm is limited to 500( if you want to read the whole paper go to my Facebook page : atomic circus ) 🙂

A photo posted by Dino Tomic (@dinotomic) on Jun 14, 2016 at 7:11am PDT

自从他开始用盐作画，尤其是当他发布了一些来自热门美剧《权力的游戏》中的人物画像后，迪诺•托米奇的Instagram账号就炸开了锅。他的艺术作品被众多的艺术设计网站和博客选中作为一大特色和亮点报导，他的粉丝数量也在逐日攀升。无论如何，但愿他的“盐画”创作不会随着他手腕疼痛的消失而消失。

迪诺•托米奇虽不是唯一一位用食盐进行创作的艺术家，但他绝对是众多杰出艺术家中熠熠生辉的一颗星。

责任编辑：唐昀